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※ Better than / Please, click here (watch in high quality - 480p) ※ youtube.com Henry Purcell (1659~1695) 《Music for the Funeral of Queen Mary》Z. 860 (Funeral Sentences) - 1. Funeral March - Baroque Brass of London Mark Bennet (Flatt Trumpet) Crispian Steele-Perkins (Slide Trumpet) Michael Laird (Slide Trumpet) Ron Bryans (Sackbut) Robert Howes (Percussion)

유선빈 Henry Purcell HHPurcell Funeral-Sentences Z.860 Natural-Trumpet Baroque-Trumpet Slide-Trumpet Flatt-Trumpet Trumpet Trumpets Tromba da tirarsi Sackbut Side Drum English Baroque Music Music-for the Funeral of Queen Mary Funeral-March March Funeral-Sentence Mark Bennett Crispian Steele Perkins Michael Laird Ron Bryans Robert Howes Historically informed performance On period instruments protestant

HENRY PURCELL (1659-1695) Chacony [chaconne] in G minor for three violins and basso continuo Performed by the Purcell Quartet

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※ Better than / Please, click here (watch in high quality - 480p) ※ youtube.com Henry Purcell (1659~1695) 《Dido and Aeneas》opera, Z. 626 Recitativo: "Thy hand, belinda" Aria: "When I am laid in earth" Emma Kirkby (soprano / Dido) Taverner Players Andrew Parrott (conductor)

유선빈 Henry Purcell HHPurcell Opera Dido and Aeneas Z.626 Ground Bass Basso Ostinato Aria English Baroque Music Emma Kirkby Andrew Parrott Taverner Players Autumnal tints Falling Fallen leaves Autumn scenery Fall view Nature Classical Music Historically informed performance On period instruments protestant

"O let me weep" (The Fairy Queen, Z. 629) Sylvia McNair with Vienna Concentus Musicus, Conducted by Nikolaus Harnoncourt (1994) Composer: Henry Purcell Librettist (Playwright): Thomas Betterton(?) Libretto: opera.stanford.edu Source: William Shakespeare's comedy A Midsummer Night's Dream First performance: Dorset Garden, London, 1692 Voicing: Soprano solo, D minor ( she sings it a semitone lower, a common practice for Baroque music) Genre: Secular, Aria Language: English Instruments: Violin (or oboe, or possibly recorder)and continuo Published: 1689 The main source for this song is Orpheus Britannicus. The collection of songs by Henry Purcell entitled Orpheus Britannicus is in two volumes, published in 1698 and 1702 respectively. These include solo songs, duets and dialogues, and some songs for 3 voices. For more info: en.wikipedia.org The Fairy-Queen (Z.629) is a masque or semi-opera by Henry Purcell. It was first performed on May 2, 1692 at the Queen's Theatre, Dorset Garden in London by the United Company. The libretto is an anonymous adaptation of William Shakespeare's wedding comedy "A Midsummer Night's Dream". Presumably the author or at least co-author of the libretto is Thomas Betterton, the manager of Dorset Garden Theatre with whom Purcell worked regularly. This assumption is based on an analysis of Betterton's stage directions. A collaboration between several playwrights is also feasible. Choreography for the various dances was provided by Josias Priest, who <b>...</b>

Henry Purcell Fairy Queen Let Me Weep Sylvia mcnair English Baroque soprano Harnoncourt civileso

Henry Purcell (1659-1695) Hail, bright Cecilia! Ode for St. Cecilia's Day, Z. 328 Gabriel Consort & Players dir. Paul McCreesh 1. "Hail, brigt Cecilia!" Susan Hemington Jones, soprano Timothy Wilson, countertenor Mark le Brocq, tenor Peter Harvey, bass 2. "Hark, hark, each tree its silence breaks" Timothy Wilson, contertenor Charles Pott, bass 1. Hail! Bright Cecilia, Hail! fill ev'ry Heart! With Love of thee and thy Celestial Art; That thine and Musick's Sacred Love May make the British Forest prove As Famous as Dodona's Vocal Grove. 2. Hark! hark! each Tree its silence breaks, The Box and Fir to talk begin! This is the sprightly Violin That in the Flute distinctly speaks! 'Twas Sympathy their list'ning Brethren drew, When to the Thracian Lyre with leafy Wings they flew. Paintings: 1. G. Reni, St. Cecilia, 1606 2. B. Cavallino, The Ecstasy of St. Cecilia, 1645 3. C. Saraceni, Saint Cecilia and the Angel, c. 1610 4. N. Poussin, St. Cecilia, 1627-28 5. AR Mengs, St. Cecilia 6. B. Strozzi, St. Cecilia, 1620-25 7. J. Blanchard, St. Cecilia 8. G. da Fabriano, St. Cecilia 9. Domenichino, St. Cecilia, 1617-18 10. A. Gentileschi, St. Cecilia playing a Lute, c. 1616 11. A. Gramatica, St. Cecilia with two Angels, 1620-25

henry purcell ode st. cecilia's day hail bright cecilia paul mccreesh gabriel consort timothy wilson mark le brocq peter harvey charles pott Ablacsia

Purcell's Trumpet Tune

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Choir of Clare College Cambridge singing Purcell

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Emma Kirkby An Evening Hymn Henry Purcell

Emma Kirkby An Evening Hymn Henry Purcell opera baroque classical essenciademusica

Henry Purcell (1658/9-1695) "O solitude, my sweetest choice", Z. 406, published 1684/5. Note before beginning: The original score suppposed to be in C minor, whereas the only score I found is in B-flat minor and this recording I have in F# minor. Sorry you guys out there who claim to have absolute pitch. All I can suggest is, just close your eyes and try to enjoy it. Henry Purcell (1659-1695), English Baroque composer. He has often been called England's finest native composer. Purcell incorporated Italian and French stylistic elements but devised a peculiarly English style of Baroque music. The text of the powerful O solitude, my sweetest choice is a translation of a poem by Antoine Girard de Saint-Amant (1594-1661) , "La solitude". Thanslation is by Katherine Philips, known as "Orinda" as she called herself. It appeared in the fourth book of the anthology The Theater of Music in 1686. The ground bass was not new when Purcell began composing; in fact, it was somewhat old-fashioned. He may have used the device as often as he did because he found it challenging. Repeated bass patterns, especially if they are diatonic, limit the harmonic exploration of a piece, and Purcell succeeded in breaking through this barrier on many occasions, most successfully in O solitude. In other songs, such as "Now that the sun hath veiled his light" and "Music for a while", Purcell transposes the ground bass in order to modulate. More on Katherine Philips and her poetry: www.jimandellen.org and <b>...</b>

Henry Purcell Solitude 406 James Bowman countertenor English Baroque civileso

Maria Ewing sings Dido's death (Hampton Court Palace, London). Conductor: Richard Hickox

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Performed by the BBC Symphony Orchestra, conducted by Sir Malcolm Arnold.

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An aria by Henry Purcell. Philippe Jaroussky and Yoko Namura.

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The Chamber Orchestra of Hartford Fritz Mahler, conductor Dario Marianelli used his transcription of this piece of music for the "Pride & Prejudice" (2005) soundtrack.

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Check out the Frost-8 knot at: www.youtube.com Subscribe for more!

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2 CD + 136-page book set Available worldwide in November 2009. PURCELL: "Hail, Bright Cecilia" HANDEL: "A Song for Saint Cecilia's Day" HAYDN: "Cäcilienmesse" 3 works dedicated to Saint Cecilia, the patron saint of music. Those 3 works had never been gathered together in the same recording. Lucy CROWE (soprano) Nathalie STUTZMANN (alto) Anders J. DAHLIN (tenor) Richard CROFT (tenor) Luca TITTOTO (bass) LES MUSICIENS DU LOUVRE-GRENOBLE (choir & orchestra) Marc MINKOWSKI. This video trailer was made of excerpts of the 88-minute film directed by Philippe Béziat: "Musiques pour Sainte Cécile". This film was broadcast on Arte on November 1st, 2009. Producer: Camera Lucida. The booklet includes paintings by Rafaello, Sir Peter Paul Rubens, De Vuez, Sir Peter Lely, Cortona, Domenichino... In 2009, this program has been performed live at Salle Pleyel (Paris), MC2 (Grenoble), Barbican Centre (London), Salzburg Festspiele.

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Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas. Glyndebourne, 1966. Conductor: Charles Mackerras.

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Jackie and Sammi from Seattle's Kiss 1061 interview Dominic Purcell from Prison Break at the William Paley Television Festival

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Playlist: www.youtube.com "If music be the food of love" Airs d'opéras & songs de Henry Purcell, 1659 - 1695 King Arthur, Z 628 • The cold song Andreas Scholl, countertenor Accademia Bizantina Conducted by Stefano Montanari

Purcell Andreas Scholl Accademia Bizantina Stefano Montanari oedipuscoloneus Oedipus Tyrannus

The music speaks for itself...

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Playlist: www.youtube.com "If music be the food of love" Airs d'opéras & songs de Henry Purcell, 1659 - 1695 • O solitude, my sweetest choice, Z 406 Andreas Scholl, countertenor Accademia Bizantina Conducted by Stefano Montanari

Purcell Andreas Scholl Accademia Bizantina Stefano Montanari oedipuscoloneus

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Nova Silesia baroque orchestra with Alfredo Bernardini - Wroclaw 2007

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An astonishing perfomance by the English Concert and Choir, conducted from the harpsichord by Trevor Pinnock, shining with emotional and technical perfection. I felt nothing but pure euphoria when listening to their recording of Henry Purcell's semi-opera King Arthur, Z 628, 1691, and especially from the hauntingly beautiful Passacaglia from Act IV. I am sure you fellow YouTubers will feel the same way about it after listening to this magnificent piece, but of course, YouTube will never do it justice, considering the low sound quality. Originally recorded in 1991, this one is found on a 2003 compilation album.

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Playlist: www.youtube.com "If music be the food of love" Airs d'opéras & songs de Henry Purcell, 1659 - 1695 The Fairy Queen, Z 629 • Fairest isle, all isles excelling Andreas Scholl, countertenor Accademia Bizantina Conducted by Stefano Montanari

Purcell Andreas Scholl Accademia Bizantina Stefano Montanari oedipuscoloneus Oedipus Tyrannus

Soprano Jessye Norman Conductor Jane Glover The Orchestra of St. Lukes Avery Fisher Hall, Lincoln Center New York 1994

Dido's Lament Jessye Norman Loumademe

Henry Purcell, 1659 - 1695 - Music for the funeral of Queen Mary Soprano: Céline Scheen, Hana Blažíková, Alice Foccroulle Countertenor: Pascal Bertin, Jean-Christophe Clair, Jean-Michel Fumas Tenor: Phillipe Froeliger, Thibault Lenaerts, Renaud Tripathi Bass: Jean-Claude Sarragosse, Lionel Meunier, Malcolm Bothwell La Fenice Conducted by Jean Tubéry Playlist: www.youtube.com

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BuddyTV recently sat down with Dominic Purcell of Prison Break and asked him about the upcoming season. www.buddytv.com

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Sur un tableau de Tiepolo (1767...), "Immaculada conception", musée du Prado, Madrid... Music of Purcell, Jenkins and locke, alfred Deller counter-tenor, ed. The Bach Guild...

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Henry Purcell (1659-1695) "Ground", classical guitar Nataly Makovskaya

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Pride and Prejudice - A Postcard To Henry Purcell

Soundtrack Pride and Prejudice Postcard To Henry Purcell OST Stolz und Vorurteil Gurkiball

Playlist: www.youtube.com Henry Purcell, 1659 - 1695 ~ The Fairy Queen, Z. 629 Carolyn Sampson: Night, the Plaint Lucy Crowe: Juno Claire Debono: Mystery, First Fairy Anna Devin: Second Fairy, Nymph, Chinese Ed Lyon: Chinese Robert Burt: Mopsa Andrew Foster-Williams: Hymen, Sleep Desmond Barritt: Drunk Poet, Bottom Orchestra of the Age of Enlightenment Conducted by William Christie

Purcell The Fairy Queen Orchestra of Age Enlightenment William Christie Carolyn Sampson Lucy Crowe Claire Debono Anna Devin Ed Lyon Robert Burt Andrew Foster-Williams Desmond Barritt Oedipus Versailles

Playlist: www.youtube.com "If music be the food of love" Airs d'opéras & songs de Henry Purcell, 1659 - 1695 King Arthur, Z 628 • Chaconne Andreas Scholl, countertenor Accademia Bizantina Conducted by Stefano Montanari

Purcell Andreas Scholl Accademia Bizantina Stefano Montanari oedipuscoloneus Oedipus Tyrannus

for my dearest duet partner :) Henry Purcell (1659-95) "My dearest, my fairest" from Pausanias, the Betrayer of his Country, Z 585 (1695) Philippe Jaroussky, countertenor Andreas Scholl, countertenor Ensemble Artaserse 11.12.2010. TCE, Paris broadcast on France Musique, 04.01.2011 ******* "What I love about singing with somebody you like is that the voices just click. It's not a conscious thing -- it just happens. And it's so much fun." (Andreas Scholl, about this project) www.guardian.co.uk

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Ionian University Department of Music Studies Henry Purcell "Dido and Aeneas" Sorceress: Nikos Spanatis www.myspace.com FIrst Witch: Lia Kolita Second Witch: Christina Michalaki Aeneas: Arsenis Gionis Stage Director: Eugenia Arsenis eugeniaarsenis.com Set and Costumes Designer: Ilias Lois setdesigniliaslois.blogspot.com Music Direction: Stanley Ritchie with the Baroque Orchestra and Choir of Ionian University Violins: Gigontis Spyros, Spiry Lydia, Leondaris Konstantinos, Skrimbonis Konstantinos Violas: Galani Nefeli, Tsiotsiou Eleni Baroque Cello: Metallinoui Fratzeska Lute: Niki Andronikou Viola da gamba: Niki Stavrati Harpsichord: Doukas Sotiris, Mastihiadis Alexandros Theorbe - baroque guitar: Jones Matthew Voices Choir: Zerva Ira, Gaidatzi Evaggelia, Benekou Tatiana, Mitsios Angelos, Pappas Pavlos, Giannoudi Christina, Komninou Alexandra, Lymperopoulos Christos, Giannakopoulou Anna, Xrysostomou Konstantina, Barthi Panagiota, Papamihail Christina, Mihalopoulos Andreas, Kokolakis Nikolas, Psaila Vikendia, Aslanidou Maria, Bogdanos Christos, Michalaki Christina, Sdogdou Eleni, Pasxou Sofia, Soulis Stathis, Pavlidou Panagiota, Nikolaou Georgia, Kasfiki Karol, Prwtopappas Ioannis. Old Fortress Corfu St George's Church Thursday 30 June Corfu Greece The baroque opera "Dido and Aeneas" will be performed at the historical premises of St George's Church at the Old Fortress. There will be 3 performances of the opera, starting on 30 June and continuing on 1 and 2 July. The <b>...</b>

purcell dido aeneas spanatis nikos sorceress wayward sisters eugenia arsenisstanley ritchie Νίκος Σπανάτης κόντρα τενόρος countertenor Henry and Ionian University Department of Music Studies Sorceress: first Witch Lia Kolita Second Christina Michalaki Aeneas: Arsenis Gionis Stage Director ugenia Set Costumes Designer Ilias Lois Baroque Orchestra Choir our next motion dido's lament belinda License spyros gikontis Quia Amore Langueo

Exerpt from Henry Purcell's "King Arthur", played by the French ensemble "Le Concert Spirituel" under its conductor Hervé Niquet, produced by Corinne and Gilles Benizio (aka. Shirley et Dino). Extrait de "King Arthur" de Henry Purcell par "Le Concert Spirituel" dirigé par Hervé Niquet, mis en scène par Corinne et Gilles Benizio (Shirley et Dino).

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This is the Overture to the fourth act, from "The Fairy Queen" a semi opera by Henry Purcell. The Fairy-Queen was first performed on 2 May 1692 at the Queen's Theatre, Dorset Garden in London by the United Company. When he died prematurely in 1695, the work was lost, and not rediscovered until early in the twentieth century. In July 2009, in celebration of the 350th anniversary of Purcell's birth, "The Fairy-Queen" was performed by Glyndebourne Festival Opera using a new edition of the score, prepared for "The Purcell Society" by Bruce Wood and Andrew Pinnock. This Overture was recorded in 1980 by the Bournemouth Sinfoietta and was conductd by Ronald Thomas.

The Fairy Queen Henry Purcell pergolesi